I click ‘play’ on the screen, but it is more than music that pours out. I am being drawn to a different time. The world was young and the people created an exciting, novel version of reality. I can hear it from the speaker, I can feel the groove and the vibe shouting out the changes. It may be old and dated, but it feels fresh and alive, the sound of an eternal search for what has never been seen or felt or heard before. As I listen, nodding my head to the beat, it seems as if there has been nothing created recently that hasn’t been based on these sounds. The song has come to an end and I reach over to lift the needle from the record, but I am back to the present and can only click on the next song.
Times were a changin
Jimi and band played “Hey Joe”
From a grey conformity
They explored a virgin “now” Continue reading →
Some of you may know that one of my interests is building a playing a modular analog synthesizer. This is an “Old School” instrument where sounds are created by patching different modules together with patch cords. Well, more to it than that, but the idea is that it is a very hands on type of instrument.
An issue with this type of synthesizer is that if you like a sound, oh well, you will eventually have to tear it down. At that point it is gone. You can make a drawing of the patch, a quick schematic. A photo, well, that would be so complicated you will get nothing. Or you can learn the instrument well enough to be able to recreate it later. That’s my goal. Continue reading →
If you couldn’t tell from my first post about my video for The House for the Rising Sun, I was not happy with my voice. OK, part of it was that I made an arrangement that pushed my range from the A below the staff to the A above the staff. That’s three ‘A’s and two octaves. Also, I’m not a great singer to begin with so…
I decided to do a new version with a synth line instead of vocals. I used the same background but I changed the mix slightly to bring down the arpeggios and bring up the organ. I also added a little counter-melody part.
The video is still the same, just a change in the music.
OK, question time. When I posted this, I noticed Sony records put a Copyright claim to the video. As I said in my last post, this is a traditional song that has been performed for a century and recorded for almost a century. The melody has its rots in the 17th century. I spent several hours trying to hunt down the copyright and read a lot of interesting stuff about copyright. Everything indicated that it is Public Domain. Continue reading →
Last year I did a larger electronic work, Lost Star. I had thought of it as the start of a new era for my playing, but the new era turned out to be that I got so invovled with other things that I pretty much stopped playing. OK, I did play on a rare occasion and even recorded a quick, joke song (A dark, sad version of the Christmas song, Jingle Bells.) For the last few months, I’ve been so focused on writing, and, yes, on focusing (a new camera), that I have barely played a note.
A few weeks ago I decided to do a promo video for my upcoming book, The Fireborn. I did some drawing and painting for it. And, of course, I wrote some music. I was happy with the results. Continue reading →
After doing the promo video for my upcoming book, the Fireborn, I have been in a musical mood. Out of nowhere I decided to do this video. This was a lot of fun, but you will immediately notice that I am much more of an instrumentalist than a singer ;) Don’t let my voice drive you away… As far as the music and sound effects and such, well, here, watch it and I’ll talk about it afterwards, OK? Yeah, I may be wordy ;) Continue reading →
It is funny but my mom is much better known in classical music circles than I am. Of course the contemporary classical music that I’ve written has been heard by only a few people. Yes, you can buy a CD of my Hamlet Symphony or listen to some of my classical music here on my blog or on YouTube, but not many have heard it. My mom, though…
I don’t know, maybe 20 years ago, give or take, she bumped into a man at a Cleveland Orchestra concert. They started talking and he said he was a classical composer, that at the time he was concentrating on on Art Song, but he was writing his own lyrics because nobody else said what he wanted to say. So she said, “I’m a poet. How about I send you some of my poems?” Funny thing, he said sure, why not?
The composer’s name is H. Leslie Adams, and he is a well known son of Cleveland, though his music has been (continues to be) played around the world. He’s used a few of my mom’s poems for his music. Continue reading →
One of the very first posts I ever put up on this blog was called Challenge Me! It was about musical challenges that I used to participate in when I followed a music forum back about a decade ago.
Here is a super quick synopsis of that post. Someone would post a phrase or a theme. The “contestants” would compose music based on that theme. The music could take any form, any genre, etc., as long as it used the music software that the music forum was about. The winner of each challenge would post the theme for the next challenge. You can read more on the original post. Continue reading →
Once I was discussing music with someone and they said something about how late in life they were before they understood that there was more to a song than just the words. I laughed and said that it was even later in life that I realize that words in songs had any meaning beyond how they sounded when sung. In my world view, the voice was just another instrument that was very flexible in the sounds it could produce, a kind of organic synthesizer.
Funny thing, though, as soon as I began to actually pay attention to meaning, Bob Dylan quickly became one of my favorites. Doubly funny, is that for some of his songs, it is the immediate imagery more than the actual meaning that jumps out. Close your eyes and listen to just about anything on “Highway 61 Revisited” and let your imagination run wild. Do you see it? At times it is back to my original thought of the sound of his voice, the individual words, creating its own meaning beyond what the words taken together mean. Continue reading →
English keyboard player Rick Wakeman, performing on stage, circa 1977. (Photo by Evening Standard/Hulton Archive/Getty Images)
Richard Wright – Image found on Google. I claim no rights to photo.
When I was a teenager or in my early twenties, everyone knew that my favorite band was Yes. I mean, I have a very positive personality, and how much more positive can you get than ‘Yes’? Not ‘No’ or ‘Maybe’, but ‘Yes’! Their music is full of shimmering light and high fantasy. Sure, you could say the same about the Prog-Rock era Genesis, but there was something about Yes that just pushed that positivity in a way that Genesis didn’t. There was also a big emphasis on Musicianship and showmanship. Something that their keyboardist (at least for a few ‘classic’ albums) Rick Wakeman had in spades.
Rick Wakeman had a style that could go from very hardcore, if showy, flowery, rock to pretty little filigrees and flourishes. Outside of Yes, listen to some early David Bowie, like ‘Life on Mars?’. Also listen to Cat Steven’s ‘Morning has Broken’. Listen to the flash of the playing. It is pretty and complex at the same time. Virtuosity was what Rick Wakeman’s playing was (and still is) about. Continue reading →