Category Archives: Writers Resources

Thoughts, ideas and techniques

The Haley Branch Blurb Take 2

The Hamlet Symphny - Alt Image

A few weeks ago I posted a couple of draft blurbs for The Halley Branch.  Since then, I have sat on them, not trying to think of them at all.  This weekend I decided to have another go at the blurb.  Here is what I came up with:

An evil 300 years in the making.  A trap set 150 years in the past.

The day should have been a normal “family day” at the Hawkins’ Mausoleum, but a premonition followed Trevor into the crypt. To make matters worse, he couldn’t shake his morning vision of dead woman draped in a funeral-shroud.

After rescuing a girl trapped in the tomb, repressed memories force him to reevaluate everything. Is his extended family a cult with roots going back to America’s colonial past?  Is the evil Benjamin Halley still stalking his tomb after 150 years? Is there any truth to the Power described by the family’s patriarch, Miles Hawkins?

Trevor realizes that he is being manipulated and drawn into a trap set in the 19th century, and fears that everyone around him has already been ensnared.  Who can he trust?  The members of his own family’s Branch, The Bradford’s, like his cousins Bill or Stan?  Perhaps members of the Hawkins Branch, such as the beautiful but jaded Amelie?  The one Branch he knows not to trust is the extinct Halley Branch.

But the Halley’s are the ones who are welcoming him with open, if dead, arms. Continue reading

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Practical Editing….

 

 

When you are done, you’re done, right?  When I post something on my blog, once I click publish, it is a done deal.  If I go back and find 10,000 typos?  Oh well, too bad.  OK, I do sometimes go back and correct things, but usually not after the first day or two.

I spent a good chunk of time the last few weeks before I published The Fireborn reading over it to catch errors and typos.  I also had two people go over it for me.  Between the two of them, they caught a dozen or so things that I had missed and had a handful of subjective ideas.  So when I clicked Publish, it was a done deal.  I had done my work.

A couple of months later I heard some complaints that there were a lot of typos.  I knew I would have to go back and fix them, but I didn’t want to.  When you are done, you’re done!  Last week I finally broke down and faced the inevitable.  I had to fix it. Continue reading

Random Thoughts on Blog-Stories

Recently someone told me that her uncle really liked The Monsters’ House, which is the first story in my short story collection, Seasons of Imagination.  I told her that I wasn’t too surprised, given how much symbolism there is in the story.  I then said that I really don’t use a lot of symbolism in my short stories.

“Why not?” she asked.

She had me there: why not?  I think it is because I typically write “flash fiction” instead of “short stories”.  My typical story is made for my blog.  It is usually very short.  Not including the 100-word Friday Fictioneers, my typical story runs about 1,000 words.  They tell a simple story.  The Monsters’ House is closer to 8,000, maybe 9,000 words.  It is complex.  The characters have time to breath and grow.  There is room for little motives and symbolism.

Still, why not?  Why don’t I use more symbolism?  I know it does creep into my stories, sometimes intentionally, usually not, i.e., subconsciously.  But I rarely sit down and think it through. Continue reading

Yeah, a Repeat – Free!

Fireborn Cover

In the shadowy area where myth and history collide….

Yes, I just posted this!  But it was before the “Free-sale” began.  So here it is again.

I really like my book, The Fireborn (of course I do: I wouldn’t put it out if I didn’t).  I think the premise is clever, and it’s a fun read.  At least I hope it is! So, yeah, I like it.

That being said…   The more I work on The Halley Branch, the more I think it is over all a better book.  Maybe a much, much better book.  Much, much, much better. Continue reading

This or That? Blurbs

Fiction

During my short break from editing The Halley Branch I have been throwing around blurbs and right now am stuck.  Yes, I can be a bit indecisive at times.  Don’t worry, I will eventually decided between the different variations I’ve come up with, but I wanted to ask your opinion.

I have one, with some slight variations, that uses a “tag line”.  That’s a little line at the beginning of the blurb that sums it up.  For instance, all of my posts on The Fireborn start with “In the shadowy area where myth and history collide“.  It is on the back cover as part of the blurb using a different color font.

I am going to put up the original version of the blurb with the tag line, since this is as far from the other I will post as possible (I have some inbetweenies…) Continue reading

A Question of Short Stories

I like to write short stories.  I guess you can tell since I write quite a few of them, perhaps an average of two a week, if we count the 100 word Friday Fictioneers stories.  Sure, 90% of the stories I write and post here are very 1-dimensional “flash fiction” stories.  They are quickly written, very short and have very little meat as far as characterization, plot depth, sub-plots, etc.  That doesn’t mean I can’t take them and flesh them out.

Back at the beginning of the year I self-published my first book, Seasons of Imagination.  It is a collection of short stories.  All but 4 had been “published” in some form on my blog, but they were all also greatly revised before making it to print.  That is, what I posted on my blog was little more than a first/rough draft while I went through at least five more drafts in the nine months between the time I made the final decision on which stories to include in the book and when I clicked “publish”. (FYI – After deciding on the stories, I deleted them off of my blog)

Since the cutoff date back for stories to include in Seasons of Imagination at the beginning of April in 2016, I have written some of my favorite works of short fiction.  I think my writing has grown.  I hope so, at any rate! Continue reading

The Telling of Backstory?

I recently completed my second draft of The Halley Branch.  Before I even think about doing a third draft, I need to solve an issue.  Maybe…

I have a bad habit in  my books to have a huge amount of history and backstory to fill out.  Sometimes backstory doesn’t need to be told, just implied, but in these stories, you have to know it to understand the present story.  I also include a lot of philosophy, which often is 100% needed to understand the story.  OK, so how do I get it out there?

In The Halley Branch I have four chapters that are dream like sequences where the main character has a dream or vision that tells him about the past (only one chapter is a dream).  I think this works well, but it only covers a couple of percent of backstory and philosophy.

So what did I do?  I have another four chapters of the main character talking to other people who tell him the history.  It all makes sense in the story and gives us pictures of the characters as much as it gives history and philosophy.  In other words, through the characters’ dialog I am telling you backstory, but I am also showing you vital information about the characters by their action, interaction, the words they chose, and how they chose to use them.

There are two problems, or two sides of one.  A lot of people would call this information dumping, which is really frowned upon today.  And people would say that it is “telling”, not “showing”, which is true.  However, I do have those other 30 chapters of showing, so do these four chapters ruin it? Continue reading

How Do You Draft?

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About two weeks ago I started a second draft of The Halley Branch, a novel I wrote for the blog in real time in 2015 (I wrote and posted a new chapter every day).  Last night I was talking to someone about drafting, and we were thinking slightly different things.  I am a little curious on people’s opinions about how to draft.  I know, each person does things their own way, like the old arguments about being a Planner or Pantser when writing the first draft, but I am still curious.

I see two major styles of drafting, Old School and Edited Draft.  OK, I made up that last one because I didn’t want to call it “The Lazy Way”, particularly since that is my current technique.  I’ll give you a definition as to how I see these methods. Continue reading

A few Notes on Genre

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I’ll admit that I’m a person who does not like to pigeonhole.  I don’t believe creative endeavors should have boundaries.  My favorite music often is in the cracks.  Yes, there are people who classify this same music with exactness, but if you actually listen to the music, or study it (which I have), you find that it just doesn’t fit.  I don’t think imagination should be boxed in.

And yet we do need those classifications.  Would you really buy music if you had zero idea what it was about?  The same, of course is true in fiction.  Genre is important.

As a reader, I have very eclectic tastes.  I’m sure you’re surprised ;)  I hate sticking to a single genre.  And truthfully, I very rarely pay attention to sub-genre.  I recently read a sci-fi book.  After reading it, I looked at reviews and was a little surprised that every review talked about the sub-genre and how well the book did, or didn’t fit that sub-genre.  Can’t you just freaking read the book for itself without pigeonholing it!?  I didn’t even know that sub-genre existed, and yet people were up in arms about it.  I thought it was a good book, so why argue that as a purple-western-star-bong sci-fi book the main character would never have said, “Hello”, she would have said, “Well, Howdy, fandango!”? Continue reading

Doing Some Reading, I Mean Editing

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I have recently been attempting to edit my book, The Fireborn.  Notice I say “attempting to edit”, not just plain, “editing”.

When I edit, I find myself in one of three modes:

  1. Real editing!  I look at every word with a discerning eye.  I make changes.  I delete things. I add things.  I correct things.  I am editing!
  2. Proof reading.  I read through and pick up some of the more obvious errors and correct them.
  3. Reading.  I read.  I enjoy.  I continue to read.

I sit down for an editing session.  After two hours I’ve discovered that I spent 5 minutes on “Real editing!”, 25 minutes on “Proof reading”, and about an hour and a half just sitting back, reading and enjoying myself.

Hmmm, what’s wrong with this picture?   Continue reading